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THE TOWERING TRIUMVERATE & THE TERRIFIC TRIO

Dilip-Dev-Raj or Aamir-Salman-Shah Rukh? Monojit Lahiri invites readers to go for it while he attempts to objectively analyze ...

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A DELIGHTFUL TAKE ON ART & CREATIVITY

In an age of brainless big-budget banalities, Rajat Kapoor’s new film is a deliciously unpredictable and thought-provoking exploration of...

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The Forgotten History of Human Civilization

Shantanu Ray Chaudhuri: A film based on a Badal Sircar play is rare. Rare still is a debutant filmmaker adapting one. That too...

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An Ode to the Willow

Monojit Lahiri flashbacks to a time, far away and long ago – way before the madness of social media crazed popular imagi...

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‘The Poetic Minimalism’ of Abbas Kiarostami

 Abbas Kiarostami (1940-2016) is unarguably the most known face of Iran on the map of World cinema, writes Vandan...

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Signs of the time: The trauma generation

Humra Quraishi looks into reports, that are available, to find out about the fears and anxieti...

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A Quart of Ray

Ever since Satyajit Ray passed away, his works have made it to the screen in sterile, ineffectual adaptations. Netflix’s Ray corrects tha...

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Jai Siya Ram…

Vinta Nanda deconstructs gender inequalities in context to the toxic sexism, which Mamata Bannerjee was subjected to on the po...

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Days of the future past: Subhashini Ali

Subhashini Ali recalls a time when she saw the role of the police and administration with clarity and how she was convinced of...

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The Cinema of Tengiz Abulnadze

All of Abulnadze’s important films especially his much acclaimed The Georgia Trilogy exemplify the key fe...

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